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Akademie Fur Alte Musik Berlin Tickets

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Inside the production

Story, stage & company

Cast & creatives

People behind the production

Akademie fur Alte Musik Berlin is one of Europe’s leading ensembles specializing in Baroque and early Classical repertoire performed on period instruments. Founded in 1982 in East Berlin, the group has a storied history with a long-running Konzerthaus Berlin subscription since 1984, delivering historically informed performances that illuminate the musical language of the 17th and 18th centuries. The ensemble frequently collaborates with renowned artists and ensembles, including conductor and continuo pioneer René Jacobs and the RIAS Kammerchor, enriching its concert programs with insightful interpretive perspectives.

Cast & creatives

People behind the production

With a track record that spans festival appearances, critical accolades, and a diverse discography, Akademie fur Alte Musik Berlin stands out for its warm, transparent sound and rigorous scholarship. The ensemble continues to expand its catalog through high-profile releases and dynamic touring, inviting audiences to experience Baroque masterpieces performed with precision and expressive vitality.

On stage

The documented stage experience

Whether you’re new to early music or a devoted listener, securing seats for an Akademie fur Alte Musik Berlin performance means enjoying some of the most nuanced and historically informed interpretations of the Baroque era available today. We’ve got you covered for tickets, details, and upcoming shows across Europe.

Cast & creatives

People behind the production

In addition to a rich history and a vibrant touring calendar, Akademie fur Alte Musik Berlin maintains a prolific recording presence. 2025 highlights include Telemann violin concertos with Isabelle Faust (harmonia mundi), Piramo e Tisbe (harmonia mundi), and Corelli Concerti grossi op. 6, 1-6 (Pentatone). The group’s artistry has earned top recognitions including a Grammy for Gluck: Italian Arias with Cecilia Bartoli (2002) and multiple prestigious awards such as Diapason d’Or, Cannes Classical Award, Gramophone, Edison, MIDEM, Choc de l’Année, and ICMA. The ensemble also continues its collaboration with leading specialists and institutions, bringing fresh perspectives to classical period performance.

Cast & creatives

People behind the production

Looking ahead to 2025–2026, expect compelling live programs centered on the Weihnachtsoratorium cycle in the Netherlands, with engagements in Groningen, Amsterdam, Eindhoven, Leiden, Utrecht, Arnhem, and Lochem, alongside Berlin subscription concerts in early 2026. For fans and first-time listeners alike, these performances offer an authoritative, engaging doorway into Baroque beauty with an ensemble that has become synonymous with authentic period practice.

On stage

The documented stage experience

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The essentials

Quick Facts About Akademie Fur Alte Musik Berlin

  • Founded in 1982 in East Berlin; long-running Konzerthaus Berlin subscription since 1984.
  • Specializes in Baroque to early Classical music on period instruments; frequently collaborates with René Jacobs and the RIAS Kammerchor, among others.
  • Grammy winner (2002) for Gluck: Italian Arias with Cecilia Bartoli; multiple major awards (Diapason d'Or, Cannes Classical Award, Gramophone, Edison, MIDEM, Choc de l’Année, ICMA).
  • 2025 notable releases: Telemann - Violinkonzerte mit Isabelle Faust (harmonia mundi); Piramo e Tisbe (harmonia mundi); Corelli - Concerti grossi op. 6, 1-6 (Pentatone).
  • 2025/2026 tour focus includes Weihnachtsoratorium cycle in the Netherlands (Groningen, Amsterdam, Eindhoven, Leiden, Utrecht, Arnhem, Lochem) and Berlin subscription concerts in early 2026.

In addition to a rich history and a vibrant touring calendar, Akademie fur Alte Musik Berlin maintains a prolific recording presence. 2025 highlights include Telemann violin concertos with Isabelle Faust (harmonia mundi), Piramo e Tisbe (harmonia mundi), and Corelli Concerti grossi op. 6, 1-6 (Pentatone). The group’s artistry has earned top recognitions including a Grammy for Gluck: Italian Arias with Cecilia Bartoli (2002) and multiple prestigious awards such as Diapason d’Or, Cannes Classical Award, Gramophone, Edison, MIDEM, Choc de l’Année, and ICMA. The ensemble also continues its collaboration with leading specialists and institutions, bringing fresh perspectives to classical period performance.

Looking ahead to 2025–2026, expect compelling live programs centered on the Weihnachtsoratorium cycle in the Netherlands, with engagements in Groningen, Amsterdam, Eindhoven, Leiden, Utrecht, Arnhem, and Lochem, alongside Berlin subscription concerts in early 2026. For fans and first-time listeners alike, these performances offer an authoritative, engaging doorway into Baroque beauty with an ensemble that has become synonymous with authentic period practice.

Follow Akademie fur Alte Musik Berlin for updates, performances, and releases:

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