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Ape Sh*t Tour Dates & Tickets

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Meet Ape Sh*t, a distinctive performer whose collaborations push the boundaries of hip-hop with international flair. Known for bold, bilingual influences and a penchant for blending K-pop, gabber, trap, and industrial textures, Ape Sh*t is part of a broader creative wave linked to the 1300 collective. This page highlights his background, notable releases, and what to expect on upcoming tour stops.

The essentials

Quick Facts About Ape Sh*t

  • Ape Sh*t (feat. Sokodomo) released January 31, 2024, as a single from 1300's George project; video released with the single. ([nme.com](https://www.nme.com/news/music/1300-new-mixtape-george-single-ape-shit-sokodomo-3579656?utm_source=openai))
  • 1300 is a Korean-Australian hip-hop collective based in Sydney, known for bilingual raps and cross-genre influence (K-pop, gabber, trap, industrial). ([en.wikipedia.org](https://en.wikipedia.org/wiki/1300_%28group%29?utm_source=openai))
  • George (2024) is a mixtape by 1300 that features Sokodomo on Ape Sh*t and collaborators like EK; George is described as a cyber dystopia-influenced project. ([twntythree.com](https://twntythree.com/1300-announce-cyber-dystopia-influenced-mixtape-george-arriving-april-4-via-eastern-margins-ape-shit-ft-sokodomo-out-now/?utm_source=openai))
  • Album discography (albums only) for 1300 includes Foreign Language (2022) on ADA; George is a mixtape, not an official studio album. ([en.wikipedia.org](https://en.wikipedia.org/wiki/1300_%28group%29?utm_source=openai))
  • Social presence: 1300 maintains active channels, including Instagram and Bandcamp pages (e.g., 1300.info). ([1300info.bandcamp.com](https://1300info.bandcamp.com/track/smashmouth?utm_source=openai))

The records

Ape Sh*t Discography

  • Foreign Language
    2022 · ADA (Warner Music Australia)

The hits

Top Ape Sh*t Songs

  • Ape Sh*t (feat. Sokodomo)
    2024 · N/A
  • Lalaland
    2023 · N/A
  • GANTZ (feat. EK)
    2023 · N/A
  • Steve Jobs
    2023 · N/A
  • No Caller ID
    2021 · N/A
  • Smashmouth
    2021 · N/A

About Ape Sh*t

Ape Sh*t has carved out a niche within the global hip-hop landscape through collaborations that fuse diverse sounds. He is best known for his work with Sokodomo on tracks that illustrate the cross-cultural vitality of the Sydney-based 1300 collective. The project surrounding George, a cyber dystopia-inspired mixtape released in 2024, showcases Ape Sh*t’s willingness to experiment with form and genre while staying rooted in sharp lyricism and energetic delivery. As part of the 1300 ecosystem, Ape Sh*t contributes to a broader narrative of multilingual rap and boundary-pushing production.

Discography Highlights

  • 1300 – Foreign Language (Album, 2022) — A foundational release on ADA that showcased bilingual raps and cross-genre experimentation.
  • 1300 – George (Mixtape, 2024) — A cyber dystopia-influenced project featuring collaborations across the roster; Ape Sh*t appears on the track with Sokodomo.
  • Ape Sh*t (feat. Sokodomo) – Single released January 31, 2024 — A standout collaboration that accompanied the George rollout, with an accompanying video release.

Upcoming Tour Information

Tour dates in 2025 for Ape Sh*t-era material have not been officially confirmed. The most recent widely reported touring activity occurred in 2024 with the 1300 collective. For the latest updates, check official channels and ticket partners for verified show dates, venues, and on-sale information as soon as they are announced.

Social Media & Official Links

Need reliable tickets to see Ape Sh*t live? You’ve got a guy. We’ll keep you posted with verified show listings, venue details, and direct access to seats as soon as official announcements drop.

Geography matters for Ape Sh*t’s live performances, with the Sydney-based 1300 collective drawing fans from across Australia and beyond. When planning your venue visit, look for information about capacity, accessibility, and nearby transit to secure a smooth experience. Whether you’re new to the scene or a longtime follower, we’re here to help you secure your seats—without the fuss—so you can focus on the moment when the beat drops and the crowd responds.

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