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Ascension Oratorio Tickets

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On the schedule

Ascension Oratorio Tour Dates & Tickets

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Inside the performance

Sound, stage & company

Artist note

A sourced detail

Ascension Oratorio commonly refers to Johann Sebastian Bach's Lobet Gott in seinen Reichen, BWV 11, a Baroque masterpiece composed for the Feast of the Ascension (1738). While there isn’t a widely recognized contemporary artist or band operating under the exact name “Ascension Oratorio,” the piece remains a central work in the Baroque choral repertoire. This performer page treats the term as a reference point for discussions of the work, its historical recordings, and the various ensembles that have interpreted it over the centuries.

The live experience

What reaches the room

On this page you’ll find a detailed overview of the work’s background, notable recordings by respected ensembles, and context for any future performances tied to the Bach cantata tradition. We’ll also provide general guidance for listeners and attendees who want to secure seats for performances inspired by this liturgical gem.

Onstage company

Documented collaborators

For listeners seeking context, Lobet Gott in seinen Reichen, BWV 11, is a festive cantata devised for the Ascension feast, weaving liturgical text with Bach’s bright choral writing and instrumental coloration. If you’re exploring classical programming inspired by this tradition, consider following reputable ensembles and festival organizers that present Baroque masterworks, including Bach cantatas, in historically informed performances. We’ve got you covered for reliable, no-fuss access to classical concerts and recordings.

The live experience

What reaches the room

Stay connected for accurate performance information, historically informed interpretations, and updates on notable releases related to Bach’s Ascension cantata tradition.

The essentials

Quick Facts About Ascension Oratorio

  • Ascension Oratorio most commonly refers to Johann Sebastian Bach's Lobet Gott in seinen Reichen, BWV 11, a work composed for the Feast of the Ascension (1738).
  • There are numerous historical and modern recordings of BWV 11 by various ensembles; there is no widely recognized contemporary artist or band currently touring under the name 'Ascension Oratorio'.
  • Because 'Ascension Oratorio' is a classical work rather than a named performing artist, there is no official discography or list of singles for a performer by that exact name.

For listeners seeking context, Lobet Gott in seinen Reichen, BWV 11, is a festive cantata devised for the Ascension feast, weaving liturgical text with Bach’s bright choral writing and instrumental coloration. If you’re exploring classical programming inspired by this tradition, consider following reputable ensembles and festival organizers that present Baroque masterworks, including Bach cantatas, in historically informed performances. We’ve got you covered for reliable, no-fuss access to classical concerts and recordings.

Stay connected for accurate performance information, historically informed interpretations, and updates on notable releases related to Bach’s Ascension cantata tradition.

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