Upcoming appearances of Calling Aphrodite focus on campus and festival environments, with recent works such as On the breathing wings of a horse (2024) continuing to explore breath, motion, and environmental interaction. While the project has no discography in the traditional music sense, it remains a dynamic installation practice with new iterations and site-specific adaptations. For those following contemporary media art, Calling Aphrodite offers a compelling example of sensor-based performance and installation culture in Austria and beyond.
Social connectivity for the project is primarily through official project pages and institutional channels. While dedicated public social handles for Calling Aphrodite or Maria Dirneder aren’t publicly listed, you can engage with the project via university-linked and festival-related pages and the Ars Electronica platform's event listings. If you’re seeking updates, secure your seats or entry details through the venue or festival organizers, and stay tuned to Linz’s Interface Cultures program for the latest installations.