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Charenee Wade Tour Dates & Tickets

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Inside the performance

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Onstage company

Documented collaborators

Charenee Wade stands among today’s compelling voices in modern jazz, blending the artful storytelling of classic vocal traditions with soul, R&B, and social-issue narratives. A multi-faceted artist, she has built a reputation for nuanced interpretation, bold musical choices, and a generous spirit of collaboration. From early recognition as First Runner-Up at the 2010 Thelonious Monk International Vocal Competition to artistry that spans studio albums, live appearances, and academic leadership, Wade’s work reflects a deep commitment to both repertoire and education. This page highlights her biography, key discography, and upcoming tour information, along with reliable resources to connect with her music and her ongoing contribution to the jazz landscape.

Onstage company

Documented collaborators

Her recording career features two pivotal projects: Love Walked In (self-released, 2011) and the acclaimed Offering: The Music of Gil Scott-Heron & Brian Jackson (Motéma Music, 2015), wherein she embodies and explores Gil Scott-Heron’s repertoire with contemporary vitality. Wade’s voice has graced stages from Jazz Standard and The Apollo to Montreux and other major festivals, and she has collaborated with esteemed artists who illuminate her status as a leading voice in modern jazz. Beyond performance, she serves as an educator at the Aaron Copland School of Music (Queens College) and holds a faculty appointment at the Peabody Institute, Johns Hopkins University. For fans near and far, her latest live activity in 2024 included a Boston appearance at Scullers Jazz Club on December 21, continuing her tradition of engaging, expressive performances. Stay tuned for upcoming tour dates, and secure your seats through a trusted source—we’ve got you.

The essentials

Quick Facts About Charenee Wade

  • Two studio albums are Love Walked In (self-released, 2011) and Offering: The Music of Gil Scott-Heron & Brian Jackson (Motéma Music, 2015).
  • Her work on Offering features prominent collaborators and positions her as a leading voice in modern jazz interpreting Gil Scott-Heron’s repertoire.
  • Her career highlights include First Runner-Up at the 2010 Thelonious Monk International Vocal Competition, appearances with Jazz at Lincoln Center, Betty Carter/Jalec Center events, NPR Song Travels feature, and performances at Jazz Standard, The Apollo, Montreux and other major festivals.
  • Genre/style: jazz with strong roots in classic vocal traditions, infused with soul, R&B and social-issue storytelling; vocal influence cited as Betty Carter and Sarah Vaughan.
  • Educator roles include professor at the Aaron Copland School of Music (Queens College) and a faculty appointment at the Peabody Institute, Johns Hopkins University.
  • Latest documented live activity in 2024 includes a Boston performance at Scullers Jazz Club (December 21, 2024).

The records

Charenee Wade Discography

  • Offering: The Music of Gil Scott-Heron & Brian Jackson
    2015 · Motéma Music
  • Love Walked In
    2011 · Self-released

Her recording career features two pivotal projects: Love Walked In (self-released, 2011) and the acclaimed Offering: The Music of Gil Scott-Heron & Brian Jackson (Motéma Music, 2015), wherein she embodies and explores Gil Scott-Heron’s repertoire with contemporary vitality. Wade’s voice has graced stages from Jazz Standard and The Apollo to Montreux and other major festivals, and she has collaborated with esteemed artists who illuminate her status as a leading voice in modern jazz. Beyond performance, she serves as an educator at the Aaron Copland School of Music (Queens College) and holds a faculty appointment at the Peabody Institute, Johns Hopkins University. For fans near and far, her latest live activity in 2024 included a Boston appearance at Scullers Jazz Club on December 21, continuing her tradition of engaging, expressive performances. Stay tuned for upcoming tour dates, and secure your seats through a trusted source—we’ve got you.

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