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Charleston Pro Musica Tickets

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On the schedule

Charleston Pro Musica Tour Dates & Tickets

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Inside the performance

Sound, stage & company

Onstage company

Documented collaborators

Charleston Pro Musica is a distinguished ensemble rooted in Charleston, South Carolina, with strong ties to the College of Charleston and its Early Music/Choral programs. Specializing in medieval and Renaissance repertoire, the group brings historically informed performance to life using period instruments and historically styled interpretation. The ensemble collaborates with CofC’s Madrigal Singers and participates in Piccolo Spoleto’s Early Music Series, making it a centerpiece of Charleston’s rich musical landscape.

The live experience

What reaches the room

As a performer, Charleston Pro Musica emphasizes accessible, engaging concerts that illuminate the textures and beauty of early music. Whether you’re a dedicated early music aficionado or new to the repertoire, you’ll find thoughtful programs, expert musicianship, and a welcoming atmosphere at their performances around Charleston and the Southeast.

Onstage company

Documented collaborators

Discography highlights include a credited contribution to Philip Glass’s Powaqqatsi (1988) on the track Je Me Souviens des Jours Anciens, released on Nonesuch in 1988. The ensemble’s activity extends to CofC’s Piccolo Spoleto Early Music Series and collaborations with the College of Charleston Madrigal Singers, amplifying Charleston’s profile as a hub for historically informed performance.

Artist note

A sourced detail

Upcoming appearances will be announced as dates are confirmed. For fans and newcomers, secure your seats early to experience Charleston Pro Musica’s nuanced blend of historical insight and musical artistry in the heart of Charleston, South Carolina.

The essentials

Quick Facts About Charleston Pro Musica

  • Based in Charleston, South Carolina; historically run in connection with the College of Charleston and its Early Music/Choral programs.
  • Specializes in medieval/renaissance repertoire and historically informed performance, often performing with period instruments.
  • Discography includes a credited contribution to Philip Glass's Powaqqatsi (1988) on the track Je Me Souviens des Jours Anciens; Powaqqatsi is released on Nonesuch (1988).
  • Active in CofC’s Piccolo Spoleto Early Music Series and has been cited as collaborating with the College of Charleston Madrigal Singers.
  • Public social-media presence for Charleston Pro Musica is not readily identifiable as a standalone entity; information is primarily found via CofC sources and Early Music America.
  • Noted collaborations and performances referenced in CofC communications and arts coverage (e.g., Madrigal Singers, Piccolo Spoleto; Early Music Series).

The records

Charleston Pro Musica Discography

  • Powaqqatsi
    1988 · Nonesuch

Biography

  • Based in Charleston, SC, closely tied to the College of Charleston’s Early Music/Choral programs.
  • Specializes in medieval and Renaissance repertoire with historically informed performance practices.
  • Often performs on period instruments to authentically reproduce the soundscapes of earlier eras.
  • Active participant in CofC’s Piccolo Spoleto Early Music Series and collaborations with the College of Charleston Madrigal Singers.
  • Discography includes a credited contribution to Philip Glass’s Powaqqatsi (1988) on Je Me Souviens des Jours Anciens (Nonesuch, 1988).

Discography Highlights

  • Powaqqatsi (1988) – Contribution on Je Me Souviens des Jours Anciens (Nonesuch)

Upcoming Tour & Performances

  • Date to be announced for new projects in Charleston and the region. Keep an eye on official CofC channels and local arts calendars for updates.

Social Media & Official Links

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