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Civil War Voices Tickets

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On the schedule

Civil War Voices Tour Dates & Tickets

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Inside the performance

Sound, stage & company

The live experience

What reaches the room

If you’re seeking a historically rich musical experience, Civil War Voices weaves diaries, letters, and period songs into a moving stage portrait of life during the Civil War. Created by arranger Mark Hayes and writer/creator James R. Harris, this production has been staged by Barter Theatre and other venues since 2008, delivering authentic choral arrangements of Amazing Grace, Dixie, Battle Hymn of the Republic, and other era staples. Licensing and rights are available through Dramatic Publishing and Origin Theatrical, making it a solid choice for schools, community theatres, and regional companies. Read on for a detailed bio, discography highlights, and upcoming opportunities to see or license this historic show.

Onstage company

Documented collaborators

Note: The latest publicly documented performances extend to 2020, with the show’s touring footprint highlighted through the 2019–2020 period. While there is no publicly listed 2025 tour in the official history, the production remains actively licensed and accessible for interested venues. For more, visit the official show site and connect with the company on social media.

The essentials

Quick Facts About Civil War Voices

  • Based on diaries and writings from Civil War era individuals, interwoven with period songs such as Amazing Grace, Dixie, and Battle Hymn of the Republic.
  • Composer/arranger: Mark Hayes; writer/creator: James R. Harris; the show has been staged by Barter Theatre and other venues since 2008.
  • Notable production history includes Doane College (2008) through 2020 (Circle Tyson School of Performing Arts, East Orange, NJ) and a 2019–2020 national tour footprint; MITF Best Production of a Musical award at Midtown International Theatre Festival in 2010.
  • Licensing and rights are available via Dramatic Publishing and Origin Theatrical, indicating ongoing availability for schools, community theatres, and regional companies.
  • Official show site provides a dedicated Songs page with period-era selections used in the production, and there is a Facebook presence linked from the site.
  • Latest documented performances on official materials extend to 2020; there is no publicly listed 2025 tour in the show history.

Note: The latest publicly documented performances extend to 2020, with the show’s touring footprint highlighted through the 2019–2020 period. While there is no publicly listed 2025 tour in the official history, the production remains actively licensed and accessible for interested venues. For more, visit the official show site and connect with the company on social media.

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