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Dvorak's Piano Trio No. 3 Tickets

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Inside the performance

Sound, stage & company

Onstage company

Documented collaborators

Welcome to your go-to page for Dvorak's Piano Trio No. 3, a cornerstone of the piano trio repertoire. Here you’ll find a detailed biography of the performer-style interpretation, key discography highlights, and up-to-date touring information. Whether you’re new to this Brahmsian-influenced work or a longtime admirer, we’ve got you covered with reliable, straightforward ticket-buying and insider context to enhance your concert experience.

Onstage company

Documented collaborators

Context matters: this three-movement sonata-for-piano, violin, and cello was composed by Antonín Dvořák between February 4 and March 31, 1883. It is published as Op. 65, B.130, and lasts about 39 minutes. The work’s dark, dramatic character sets it apart from Dvořák’s Slavonic period, offering a serious, richly textured chamber experience that has captivated audiences for generations. The piece premiered on October 27, 1883 in Mladá Boleslav with Dvořák at the piano and was published in 1883 by Simrock.

The live experience

What reaches the room

As a performer-focused page, we emphasize not just the notes but the interpretive possibilities: the balance between the piano’s drive and the strings’ lyricism, and how different ensembles shape the work’s architecture across performances and recordings.

Onstage company

Documented collaborators

Upcoming performances of Dvorak's Piano Trio No. 3 deliver a chance to hear this dark, Brahmsian masterpiece interpreted by leading chamber groups and gifted emerging ensembles. Secure your seats through your trusted source, and follow the artists for updates on repertoire, tour routing, and additional recordings. For more context, explore related works in Dvořák’s catalog and similar late-Romantic piano trios that balance intensity with inward melody.

The essentials

Quick Facts About Dvorak's Piano Trio No. 3

  • Composer: Antonín Dvořák; composed February 4 – March 31, 1883; Op. 65, B.130; four movements; approximately 39 minutes.
  • Character: dark, dramatic and Brahmsian in mood, often regarded as more serious than Dvořák's Slavonic period works.
  • Premiered: October 27, 1883 in Mladá Boleslav with Dvořák at the piano; published in 1883 by Simrock.
  • Instrumentation: piano, violin, and cello (piano trio).
  • Notable recordings (select): Borodin Trio (Chandos CHAN8320W, 1984); Borodin Trio (Chandos CHAN9642W, 1998) as part of Nos. 1–4; Dvořák: Piano Trios Nos. 3 & 4 (Tetzlaff/Vogt/Tetzlaff) on Ondine (ODE 1316-2, 2018); Shaham/Erez/Wallfisch Trio (Nimbus NI5952, 2023) featuring No. 3; AOI Trio (Martinů No.1 – Dvořák No.3, Hänssler Classic, 2023).

The records

Dvorak's Piano Trio No. 3 Discography

  • Dvořák: Piano Trios Nos. 3 & 4
    1984 · Chandos CHAN8320W
  • Dvořák: Piano Trios Nos. 1-4
    1998 · Chandos CHAN9642W
  • Dvořák: Piano Trios Nos. 3 & 4
    2018 · Ondine ODE 1316-2 (Tetzlaff/Vogt/Tetzlaff)
  • Dvořák: Piano Trio No.3 & Sonatina
    2023 · Nimbus NI5952 (Shaham/Erez/Wallfisch Trio)
  • Piano Trios: Martinů No.1 - Dvořák No.3
    2023 · Haenssler Classic (AOI Trio)
  • Dvořák: The Complete Piano Trios
    2023 · Supraphon HC22029 (Jarušková/Jarušek/Giltburg)

About the Composer’s Legacy

  • Antonín Dvořák (1841–1904) crafted a distinctive voice fusing Czech musical sensibilities with broader European forms.
  • Piano Trio No. 3 exemplifies a darker, more serious mood compared to his Slavonic-era works, often described as Brahmsian in its gravitas and architectural clarity.
  • The work’s initial publication by Simrock in 1883 helped secure its place in the standard piano trio repertoire.

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Selected Discography Highlights

  • Borodin Trio – Nos. 1–4, Chandos CHAN8320W (1984) and Chandos CHAN9642W (1998)
  • Dvořák: Piano Trios Nos. 3 & 4 – Tetzlaff/Vogt/Tetzlaff, Ondine ODE 1316-2 (2018)
  • Shaham/Erez/Wallfisch Trio – Nimbus NI5952 (2023) featuring No. 3
  • AOI Trio – Martinů No. 1 / Dvořák No. 3, Hänssler Classic (2023)

These recordings offer a spectrum of interpretive approaches to the same core work, from historically informed performances to modern, lush readings. When planning a concert visit, listening to different takes can deepen appreciation for tempo, phrasing, and emotional arc.

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