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Elvis and The Man In Black Tickets

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On the schedule

Elvis and The Man In Black Tour Dates & Tickets

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Inside the performance

Sound, stage & company

Onstage company

Documented collaborators

Elvis and The Man In Black is a distinctive contemporary dance double bill featuring two collaborations from celebrated Canadian choreographers Laurence Lemieux and James Kudelka. Presented by Coleman Lemieux & Compagnie, now Citadel + Compagnie (renamed circa 2017), the work blends musical storytelling with innovative movement to explore identity, performance history, and the cultural landscapes surrounding iconic American musical gods. While the ensemble continues to honor its roots, the company has evolved into Citadel + Compagnie, maintaining a strong presence in Canadian dance.

The live experience

What reaches the room

Although the show’s most documented performances took place in 2014 in Toronto and 2016 in Peterborough, Elvis and The Man In Black remains a landmark example of how live music and dance intersect to create intimate theatrical experiences. For fans visiting venues across Canada, this page gathers essential background, notable achievements of the creators, and a clear view of past and available touring information.

Onstage company

Documented collaborators

To stay connected with Citadel + Compagnie and receive updates, follow the company’s official social channels:

Onstage company

Documented collaborators

Elvis and The Man In Black is a hallmark of Canadian contemporary dance—a project that showcases two distinct choreographic voices within a single program. While there are currently no publicly listed 2025 tour dates, the show’s historical footprint includes a Toronto run at The Citadel (Mimi Herrndorf Studio) in May 2014 and a later performance at Showplace Performance Centre in Peterborough on March 12, 2016. The component works offer audiences a nuanced look at musical reinterpretation through dance: The Man in Black centers on six Johnny Cash covers, while Looking for Elvis weaves Elvis songs with interview fragments, creating a layered, narrative-driven stage experience.

The live experience

What reaches the room

For concertgoers, scholars, and dance lovers in the Greater Toronto Area and across Ontario, this page provides a concise biography of the key artists, a snapshot of discography-inspired moments in the works, and a historical context for the double bill—the kind of insider knowledge you want when you’re securing seats through a trusted friend in the business.

The essentials

Quick Facts About Elvis and The Man In Black

  • Type: contemporary dance double bill featuring Looking for Elvis (Laurence Lemieux) and The Man in Black (James Kudelka).
  • Choreographers: Laurence Lemieux (Looking for Elvis) and James Kudelka (The Man in Black).
  • Company: Coleman Lemieux & Compagnie, now renamed Citadel + Compagnie (renaming completed around 2017).
  • Original Toronto run: May 21–31, 2014 at The Citadel (Mimi Herrndorf Studio) in Toronto.
  • Subsequent performance: Elvis and The Man in Black performed March 12, 2016 at Showplace Performance Centre in Peterborough.
  • Musical approach: The Man in Black uses six Johnny Cash covers; Looking for Elvis blends Elvis songs and interviews.

Elvis and The Man In Black is a hallmark of Canadian contemporary dance—a project that showcases two distinct choreographic voices within a single program. While there are currently no publicly listed 2025 tour dates, the show’s historical footprint includes a Toronto run at The Citadel (Mimi Herrndorf Studio) in May 2014 and a later performance at Showplace Performance Centre in Peterborough on March 12, 2016. The component works offer audiences a nuanced look at musical reinterpretation through dance: The Man in Black centers on six Johnny Cash covers, while Looking for Elvis weaves Elvis songs with interview fragments, creating a layered, narrative-driven stage experience.

For concertgoers, scholars, and dance lovers in the Greater Toronto Area and across Ontario, this page provides a concise biography of the key artists, a snapshot of discography-inspired moments in the works, and a historical context for the double bill—the kind of insider knowledge you want when you’re securing seats through a trusted friend in the business.

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