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Fables & We're Not Going Anywhere Tickets

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On the schedule

Fables & We're Not Going Anywhere Tour Dates & Tickets

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Inside the performance

Sound, stage & company

Onstage company

Documented collaborators

Born in Houston and rooted in Austin, Fables & We're Not Going Anywhere crafts intimate, narrative-driven songs that blend Americana, blues, and contemporary folk. Recognized as a standout songwriter, this artist’s work traverses personal memory and wide-open landscapes, inviting listeners into detailed, story-forward songs. With production collaborations from Noah Gundersen and Sam Kassirer, the project has evolved from self-released beginnings to a refined catalog released on Thirty Tigers and Blue Corn Music. Below you’ll find a concise biography, a highlights reel of discography, and the latest 2025 tour information so you can secure your seats and experience the live storytelling firsthand.

Onstage company

Documented collaborators

Originating in Texas and now based in Austin, the artist has earned the 2020 Austin Music Award for Songwriter of the Year (The Austin Chronicle), underscoring the impact of their lyrical craft and emotive performances. Their touring footprint in 2025 spans the US, with dates from January into February, and a May European run including stops in Newcastle, London, Utrecht, Helsinki, and Berlin. For fans and new listeners alike, visit the official site to connect on Instagram, Facebook, YouTube, Twitter/X, and Spotify. We’ve got you covered with up-to-date show info and easy, no-fuss ticket access: secure your seats and follow along for the latest news.

The essentials

Quick Facts About Fables & We're Not Going Anywhere

  • Origin: Houston, Texas; based in Austin, Texas; renowned for intimate, narrative songwriting.
  • Genre: Americana, blues, country folk, contemporary folk, indie folk.
  • Breakthrough albums: Fables (2015; produced by Noah Gundersen) and We’re Not Going Anywhere (2017; produced by Sam Kassirer).
  • Major award: 2020 Songwriter of the Year, Austin Music Awards (The Austin Chronicle).
  • Complete studio discography (most recent first): All The Not So Gentle Reminders (2025, Blue Corn Music); Backslider (2021, Sweetworld); My Love Is a Hurricane (2020, Thirty Tigers); We're Not Going Anywhere (2017, Thirty Tigers); Fables (2015, Thirty Tigers); Apologies (2012, self-released); American Soil (2009, self-released).
  • Social media & official presence: official site with links to Instagram, Facebook, YouTube, Twitter/X, Spotify, and more.

The records

Fables & We're Not Going Anywhere Discography

  • All The Not So Gentle Reminders
    2025 · Blue Corn Music
  • Backslider
    2021 · Sweetworld
  • My Love is a Hurricane
    2020 · Thirty Tigers
  • We're Not Going Anywhere
    2017 · Thirty Tigers
  • Fables
    2015 · Thirty Tigers
  • Apologies
    2012 · Self-released
  • American Soil
    2009 · Self-released

The hits

Top Fables & We're Not Going Anywhere Songs

  • What If I Don't (feat. David Ramirez)
    2024 · N/A
  • This Christmas (I'll Be Missing the Missis)
    2022 · N/A
  • Running On Empty
    2022 · N/A
  • Long Way Home
    2022 · N/A
  • Rules & Regulations
    2022 · N/A
  • Normal
    2021 · N/A
  • One Man Guy
    2021 · N/A
  • Time
    2017 · N/A
  • Stone Age
    2017 · N/A
  • Watching From a Distance (Stripped)
    2017 · N/A
  • Harder to Lie
    2015 · N/A
  • Strangetown
    2011 · N/A

Originating in Texas and now based in Austin, the artist has earned the 2020 Austin Music Award for Songwriter of the Year (The Austin Chronicle), underscoring the impact of their lyrical craft and emotive performances. Their touring footprint in 2025 spans the US, with dates from January into February, and a May European run including stops in Newcastle, London, Utrecht, Helsinki, and Berlin. For fans and new listeners alike, visit the official site to connect on Instagram, Facebook, YouTube, Twitter/X, and Spotify. We’ve got you covered with up-to-date show info and easy, no-fuss ticket access: secure your seats and follow along for the latest news.

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