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Feminist Documentaries by Carole Roussopoulos Tickets

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Artist note

A sourced detail

Carole Roussopoulos (born May 25, 1945, Lausanne – died October 22, 2009, Sion) was a foundational figure in feminist documentary and portable video. A tireless advocate for women’s rights, LGBTQ+ visibility, labor movements, and anti-imperialist struggles, she helped redefine how documentary can be used to document resistance and everyday life. Often working at the edge of technology, Roussopoulos pioneered the Caméra au poing handheld approach and was among France’s first women to own a Portapak, expanding the reach of independent video production.

Onstage company

Documented collaborators

Her collaborations with Delphine Seyrig and Ioana Wieder yielded landmark projects such as Maso et Miso vont en bateau (Maso and Miso Go Boating, 1975/76) and SCUM Manifesto (1976). In 1982, she co-founded the Centre audiovisuel Simone de Beauvoir to archive and promote women’s rights, struggles, and art. Over a career spanning roughly five decades, Roussopoulos contributed to approximately 150 documentaries, transforming documentary praxis and leaving a lasting imprint on feminist, LGBTQ+, labor, and anti-imperialist cinema. Her work continues to influence scholars and filmmakers, and her legacy is celebrated through archival programs, restorations, and screenings worldwide. Social media presence is primarily archival, with notable channels including a Bandcamp page for Maso et Miso Go Boating and the Association Carole Roussopoulos website.

The essentials

Quick Facts About Feminist Documentaries by Carole Roussopoulos

  • Born May 25, 1945 in Lausanne, Switzerland; died October 22, 2009 in Sion, Switzerland.
  • Co-founded Vidéo Out (1969–1970) and Les Insoumuses (1975) with Delphine Seyrig and Ioana Wieder; helped produce landmark feminist videos such as Maso et Miso vont en bateau (Maso and Miso Go Boating, 1975/76) and SCUM Manifesto (1976).
  • Pioneered Caméra au poing (handheld video); among the early adopters of portable video in France, reportedly one of the first women to own a Portapak.
  • Founded the Centre audiovisuel Simone de Beauvoir in 1982 with Seyrig and Wieder to archive and promote women’s rights, struggles, and art.
  • Approx. 150 documentaries across a career focused on feminist, LGBTQ+, labor, and anti-imperialist movements; celebrated for transforming documentary praxis.
  • Major awards: Chevalière de la Légion d’Honneur (2001); Prix de la ville de Sion (2004); Prix culturel du Valais (2009).

Her collaborations with Delphine Seyrig and Ioana Wieder yielded landmark projects such as Maso et Miso vont en bateau (Maso and Miso Go Boating, 1975/76) and SCUM Manifesto (1976). In 1982, she co-founded the Centre audiovisuel Simone de Beauvoir to archive and promote women’s rights, struggles, and art. Over a career spanning roughly five decades, Roussopoulos contributed to approximately 150 documentaries, transforming documentary praxis and leaving a lasting imprint on feminist, LGBTQ+, labor, and anti-imperialist cinema. Her work continues to influence scholars and filmmakers, and her legacy is celebrated through archival programs, restorations, and screenings worldwide. Social media presence is primarily archival, with notable channels including a Bandcamp page for Maso et Miso Go Boating and the Association Carole Roussopoulos website.

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