Agon remains a central touchstone in classical and contemporary ballet, with a famous pas de deux that sparked important conversations about race in ballet when Arthur Mitchell and Diana Adams performed it together. The ballet’s enduring legacy includes multiple recordings, including a 1964 Wergo LP later reissued, a 1981 Decca London Sinfonietta version, and later Hyperion and reissued 1964 recordings. For prospective audiences, understanding the historical context enhances the experience of watching Agon live on stage.
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