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Haruomi Hosono Tour Dates & Tickets

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Haruomi Hosono is a trailblazing figure in Japanese and global music, renowned for shaping pop and electronic sounds through his innovative bands and solo work. Co-founding Happy End and Yellow Magic Orchestra, he helped redefine what pop music could be—melding Western influences with traditional Japanese sensibilities and adventurous, borderless experimentation. Hosono has led projects such as Tin Pan Alley and Sketch Show, pushing the envelope in ambient, exotica, and world music. He championed a concept he calls "sightseeing music"—a globe-trotting approach that integrates diverse cultures and genres, from Bollywood rhythms to ambient textures. By continuously evolving—from Hosono House (1973) to Heavenly Music (2013) and archival releases in later decades—Hosono has remained a vital, influential voice in music.

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On the live scene, Hosono continues to connect with audiences worldwide. The 2025 tour includes a London show at Royal Festival Hall and Japan dates, offering fans a chance to experience his expansive sonic palette in intimate and grand settings alike. Below, youa0 youa0a0d how to secure your seats, explore his discography milestones, and plan your visit to venues across the UK and Japan.

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For bookings, updates, and social updates, follow Haruomi Hosono through his official channels and recognized press outlets. Wea0 provide reliable, straightforward ticketing options to help you secure seats without the hassle. If youa0a0 youa0a0 need more details on dates, venues, or travel arrangements, contact us and wea0a0 use our connections to get you where you want to be. See official sites and social profiles below for the most current information, including any RESCHEDULED dates or Date to be announced statuses as events are updated.

The essentials

Quick Facts About Haruomi Hosono

  • Co-founded Happy End and Yellow Magic Orchestra; also led projects like Tin Pan Alley and Sketch Show, shaping Japan's pop and electronic music landscape. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Haruomi_Hosono))
  • Coined and pursued 'sightseeing music'—a borderless, globe-trotting approach that blends multiple cultures and genres (Bollywood, exotica, ambient, world music). ([pitchfork.com](https://pitchfork.com/features/5-10-15-20/haruomi-hosono-on-the-music-that-made-him?utm_source=openai))
  • Solo discography spans Hosono House (1973) through Heavenly Music (2013), with later archival and anniversary releases continuing into the 2010s and 2020s. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Hosono_House?utm_source=openai))
  • Major awards and recognition include the 2007 Ministry of Education, Culture, Sports, Science and Technology Award in Japan; HMVs top acts list (2003 ranking). ([niewmedia.com](https://niewmedia.com/en/news/054785/?utm_source=openai))
  • Confirmed 2025 tour activities include a London show at Royal Festival Hall (Jul 19, 2025) and Japan dates (Tokyo Sept 4 at Kinema Club; Osaka Dec 8; Tokyo Dec 26). ([southbankcentre.co.uk](https://www.southbankcentre.co.uk/whats-on/haruomi-hosono/?utm_source=openai))
  • Social media and online presence include an official site (hosonoharuomi.jp) and artist profiles/updates via fans and press channels; fan/industry sources track his public activity. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Haruomi_Hosono))

The records

Haruomi Hosono Discography

  • Heavenly Music
    2013 · Victor Entertainment / Speedstar Records
  • HoSoNoVa
    2011 · Victor Entertainment
  • Interpieces Organization
    1996 · Baidis
  • Omni Sight Seeing
    1989 · Epic (Japan); Light in the Attic (U.S. edition)
  • Coincidental Music
    1985 · Teichiku Records
  • S-F-X
    1984 · Teichiku / Non Standard
  • Cochin Moon
    1978 · King Records
  • Paraiso
    1978 · Alfa Records / Crown
  • Bon Voyage co.
    1976 · Panam / Crown
  • Tropical Dandy
    1975 · Panam / Crown
  • Hosono House
    1973 · Bellwood / King

For bookings, updates, and social updates, follow Haruomi Hosono through his official channels and recognized press outlets. We

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