In Our Daughters Eyes is a bold cross-genre monodrama created by composer Du Yun, with libretto and direction by Michael Joseph McQuilken. Featuring baritone Nathan Gunn, the piece blends opera with intimate storytelling, projection, and contemporary theatrical elements to broaden the scope of modern music theater. Originally commissioned by Beth Morrison Projects and developed with Trinity Church Wall Street, this 70-minute work premiered as part of LA Opera's Off Grand series at REDCAT in April 2022, earning attention as a standout project that broadened the reach of new-music opera.
Cast & creatives
People behind the production
This artist page offers a concise biography, discography highlights, and the latest available information on tours and performances. We’ve got you with reliable, straightforward details that help you secure your seats for groundbreaking contemporary opera.
Cast & creatives
People behind the production
Biography, projected visuals, and collaborative history drive In Our Daughters Eyes as a landmark in 21st-century opera. While a 2025 tour has not been publicly announced, the piece’s LA Opera premiere and subsequent coverage remain a touchstone for contemporary crossover works. For artists and venues, the collaboration connects renowned performers with innovative production teams, illustrating how new-music opera continues to evolve.
Cast & creatives
People behind the production
Find official social channels for primary artists below to follow updates and behind-the-scenes insights. We’ve listed links with target="_blank" and rel="noopener" to help you connect directly with the creators.
The essentials
Quick Facts About In Our Daughters Eyes
Composer: Du Yun; Libretto/Director: Michael Joseph McQuilken; Created with and featuring Nathan Gunn.
Premiere: LA Opera world premiere at REDCAT, April 13–17, 2022 (Off Grand series).
Commissioned by Beth Morrison Projects; Developed with Trinity Church Wall Street; 70-minute monodrama.
Genre/style: a contemporary, cross-genre monodrama blending opera with intimate storytelling, projection, and modern theatrical elements.
Notable recognition: Du Yun won the 2017 Pulitzer Prize for Angel’s Bone; In Our Daughter’s Eyes was highlighted as a notable 2022 New Yorker/LA Opera project and helped broaden attention to new-music opera.
Social media: Du Yun’s official social handles are listed as Twitter and Instagram @duyun; see her Channel Du Yun bio page. Nathan Gunn maintains public profiles via his official site linking to his social networks.
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Biography
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Discography Highlights
In Our Daughters Eyes (2022) — World premiere as part of LA Opera’s Off Grand series at REDCAT. A 70-minute monodrama exploring intimate storytelling through projection and theatrical innovation. Created with Beth Morrison Projects and Trinity Church Wall Street collaboration.
Angel’s Bone (Du Yun) — Pulitzer Prize-winning work (2017), widely cited as a pivotal contemporary opera that expands genre boundaries. This piece informs the musical language and innovative approach found in In Our Daughters Eyes.
Other collaborations and projects by Du Yun spanning performances across major venues and festivals; follow official channels for new releases and recordings.
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Upcoming Tour & Performance Information
Tour status: As of today, no public 2025 tour has been announced. The most recent major production was the 2022 LA Opera premiere.
For the latest updates, check LA Opera coverage and the project’s official channels. Dates, venues, and ticketing are announced through official outlets and partner organizations.
To stay informed, follow the primary artists on their social media and official sites listed above.
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Venue & City Context
LA Opera’s REDCAT venue hosted the world premiere during the Off Grand season, illustrating Los Angeles’ role as a hub for contemporary opera and cross-genre performances. REDCAT is located in downtown Los Angeles, offering a dynamic space for multimedia works that blend traditional operatic storytelling with modern stagecraft.
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Why This Matters
In Our Daughters Eyes represents a notable moment for new-music opera, highlighted by recognition from The New Yorker and LA Opera for expanding visibility of contemporary works.
The collaboration between Du Yun, Michael Joseph McQuilken, and Nathan Gunn demonstrates how composers, librettists, and performers merge genres to tell intimate, urgent stories while leveraging modern production elements.