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In The Middle, Somewhat Elevated Tickets

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On the schedule

In The Middle, Somewhat Elevated Tour Dates & Tickets

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Inside the performance

Sound, stage & company

Onstage company

Documented collaborators

In the Middle, Somewhat Elevated is a landmark contemporary ballet created by renowned choreographer William Forsythe for the Paris Opera Ballet. Known for its high-velocity movement, sharp vocabulary, and athletic virtuosity, the piece fuses Forsythe's signature style with Thom Willems’s electrifying electronic score. This performer page provides a detailed biography, key discography notes that underpin the work’s musical lineage, and up-to-date information on 2025 engagements. We’ve got you covered with reliable, straightforward access to tickets and performance details across venues in the U.S. and Europe.

The live experience

What reaches the room

As an insider-friendly source, we highlight how this work has influenced contemporary ballet and why audiences keep returning to see it live. Secure your seats through our easy, no-fuss process, and follow official channels for the latest news.

Onstage company

Documented collaborators

Background and impact: Forsythe’s influence has been recognized with major honors including the Kyoto Prize (2024) and various industry awards, underscoring how In the Middle, Somewhat Elevated elevated contemporary ballet on the world stage. The collaboration with Thom Willems—the composer behind The Loss of Small Detail (2000), Music for William Forsythe (2002), and Enemy in the Figure (2003)—provides an essential sonic landscape that complements Forsythe’s dynamic choreography. In 2025, engagements bring the work to Opéra House Zürich as part of Autographs (March 29–June 11) and to Kansas City Ballet in the Fusion program (May 9–18). Social channels from companies like Kansas City Ballet and Texas Ballet Theater regularly feature performance clips and ticket information, making it easier to plan your visit.

Onstage company

Documented collaborators

Explore the performer’s biography, discography highlights, and upcoming tour information, and secure your seats with a trusted connection—you’ve got a guy for tickets.

The essentials

Quick Facts About In The Middle, Somewhat Elevated

  • Choreography: William Forsythe created In the Middle, Somewhat Elevated for the Paris Opera Ballet; it’s a flagship Forsythe piece renowned for its athletic, virtuoso interpretation of classical vocabulary.
  • Music: Thom Willems composed the electronic score for the work, a defining element that accompanies the confrontational, high-velocity movement.
  • 2025 engagements: Opernhaus Zürich programmed the piece as part of Autographs in 2025 (Mar 29–Jun 11); Kansas City Ballet included it in its Fusion program May 9–18, 2025.
  • Discography relevance: Willems’ music for Forsythe is released separately as albums, notably The Loss of Small Detail (2000, Decca), Music for William Forsythe (2002, Whatness), and Enemy in the Figure (2003, Accord).
  • Awards and impact: Forsythe has been awarded major honors (e.g., Olivier Award for achievements connected to his Forsythe repertory; Bessie Awards; Kyoto Prize in 2024) and In the Middle… elevated Forsythe’s influence on contemporary ballet.
  • Social media presence: active company feeds (e.g., Kansas City Ballet @kc.ballet; Texas Ballet Theater @txballettheater) frequently feature In The Middle… performances and ticket information.

The records

In The Middle, Somewhat Elevated Discography

  • Thom Willems: Enemy in the Figure
    2003 · Accord
  • Thom Willems: Music for William Forsythe
    2002 · Whatness
  • Thom Willems: The Loss of Small Detail
    2000 · Decca

The hits

Top In The Middle, Somewhat Elevated Songs

  • In the middle somewhat elevated
    2000 · N/A

Background and impact: Forsythe’s influence has been recognized with major honors including the Kyoto Prize (2024) and various industry awards, underscoring how In the Middle, Somewhat Elevated elevated contemporary ballet on the world stage. The collaboration with Thom Willems—the composer behind The Loss of Small Detail (2000), Music for William Forsythe (2002), and Enemy in the Figure (2003)—provides an essential sonic landscape that complements Forsythe’s dynamic choreography. In 2025, engagements bring the work to Opéra House Zürich as part of Autographs (March 29–June 11) and to Kansas City Ballet in the Fusion program (May 9–18). Social channels from companies like Kansas City Ballet and Texas Ballet Theater regularly feature performance clips and ticket information, making it easier to plan your visit.

Explore the performer’s biography, discography highlights, and upcoming tour information, and secure your seats with a trusted connection—you’ve got a guy for tickets.

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