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Jacques Ibert Tour Dates & Tickets

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Onstage company

Documented collaborators

Jacques Ibert (August 15, 1890 – February 5, 1962) was a pivotal French composer whose eclectic, neoclassical style bridged late 19th-century French tradition with modern clarity. Born in Paris, Ibert rose to prominence after winning the Conservatoire prize Prix de Rome in 1919 for Le Poète et la fée. He later served as Director of the French Academy in Rome (Villa Medici) from 1937 to 1960, guiding a generation of composers and artists. His music is celebrated for its graceful orchestration, witty contrasts, and melodic immediacy.

The live experience

What reaches the room

On this page, you’ll find a concise biography, highlight his discography, and a look at notable performances of his works on contemporary stages. While there are no personal tours by Jacques Ibert, his compositions continue to be performed by major orchestras and chamber ensembles around the world.

Onstage company

Documented collaborators

Geographic context matters: Ibert’s influence is deeply rooted in Parisian musical life and French cultural institutions, with enduring performances across France and the United States. Explore links to official resources and ensemble pages that honor his legacy.

The live experience

What reaches the room

Biographical milestones, key works, and performance history offer a window into Ibert’s enduring impact on 20th-century music. For fans and researchers alike, this page provides context, discography highlights, and reliable pointers to official sources and contemporary performances bearing his name.

Onstage company

Documented collaborators

  • Biographical milestones: Paris-born composer, Prix de Rome winner (1919), Villa Medici director (1937–1960).
  • Signature works: Escales (1922) and Divertissement (1930).
  • Discography highlights: orchestral suites, concertos, and chamber works that survive in concert repertoires.
  • Upcoming/touring context: While not touring as an individual artist, Ibert’s works are regularly programmed by major U.S. orchestras and ensembles.

Onstage company

Documented collaborators

Official site and affiliated ensembles bearing his name provide authoritative information and event listings. For social references, note that Jacques Ibert himself did not maintain public social media profiles; contemporary performances are linked to official venues and ensembles with reliable information.

The essentials

Quick Facts About Jacques Ibert

  • Born in Paris on August 15, 1890; died February 5, 1962.
  • Won the Conservatoire prize Prix de Rome in 1919 for Le Poète et la fée; later served as Director of the French Academy in Rome (Villa Medici) from 1937 to 1960.
  • Known for a eclectic, neoclassical style; best-remembered works include Escales (1922) and Divertissement (1930).
  • There are no personal Jacques Ibert tours since he is a historical figure; however, 2025 saw performances of Ibert’s music by US orchestras, e.g., The Saint Paul Chamber Orchestra (April 4, 2025) and Louisiana Philharmonic Orchestra (January 2025).
  • No official Jacques Ibert social media presence; his public footprint is primarily his official site and ensembles bearing his name.

Biographical milestones, key works, and performance history offer a window into Ibert’s enduring impact on 20th-century music. For fans and researchers alike, this page provides context, discography highlights, and reliable pointers to official sources and contemporary performances bearing his name.

  • Biographical milestones: Paris-born composer, Prix de Rome winner (1919), Villa Medici director (1937–1960).
  • Signature works: Escales (1922) and Divertissement (1930).
  • Discography highlights: orchestral suites, concertos, and chamber works that survive in concert repertoires.
  • Upcoming/touring context: While not touring as an individual artist, Ibert’s works are regularly programmed by major U.S. orchestras and ensembles.

Official site and affiliated ensembles bearing his name provide authoritative information and event listings. For social references, note that Jacques Ibert himself did not maintain public social media profiles; contemporary performances are linked to official venues and ensembles with reliable information.

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