Napoli - Ballet Tickets

Napoli is a three-act Romantic ballet choreographed by August Bournonville, renowned for its joyful finale in Act III’s Tarantella. Premiered on March 29, 1842 at the Royal Danish Theatre in Copenhagen, the work features a sculpted score by Edvard Helsted, Holger Simon Paulli, Niels W. Gade, Hans Christian Lumbye, and Louise Alenius. In modern times, a revival by Nikolaj Hubbe and Sorella Englund continues to influence contemporary staging at major national companies.

As a performer page, Napoli represents a lineage of Romantic ballet heritage. While there is no standalone Napoli - Ballet artist, the Napoli repertoire is performed within company programs by leading ballet companies such as the Royal Danish Ballet, Paris Opera Ballet School, Royal Ballet School, and touring ensembles. Our goal is to connect you with official Napoli-related performances and tickets through trusted sources, ensuring a straightforward, no-fuss buying experience.

Upcoming Napoli appearances span international stages and school productions. In 2025, Naples-inspired performances appeared with the Paris Opera Ballet School at Palais Garnier (April 24–29, 2025) and the Royal Ballet School showcased Napoli as part of its summer program. The Ballet Theatre of Maryland announced Napoli as part of its 2024–2025 season in the United States. Additionally, Compañía Nacional de Danza presented Napoli Divertissement, a Naples-inspired piece linked to Bournonville’s Napoli, premiering in 2024. For the latest Napoli touring information, we advise checking official company channels such as the Royal Danish Ballet, Paris Opera Ballet School, Mariinsky, and allied institutions. Secure your seats through our trusted network for a smooth, reliable purchase process. Follow official social channels for real-time updates:

We’ve got you—if Napoli appears in a city near you, you’ll find standardized, straightforward ticket access through our trusted connections. For a richer understanding of Napoli’s place in the ballet canon, explore the three-act structure, its Tarantella finale in Act III, and how modern revivals shape performances today.