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Satanicide Tickets

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On the schedule

Satanicide Tour Dates & Tickets

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Inside the performance

Sound, stage & company

The sound

The musical character

Satanicide is a provocative fusion of death metal and glam metal that delivers a tongue‑in‑cheek 1980s Jersey/NYC aesthetic. Known for big hair, theatrical showmanship, and riffs that nod to both brutality and catchy hooks, Satanicide carved out a niche that fans remember for its unapologetic attitude and onstage energy.

Onstage company

Documented collaborators

From early appearances at iconic New York venues to mainstream media buzz, Satanicide crafted performances that felt like a theatrical throwback with a modern metal edge. While official social accounts may be intermittently accessible, the band’s imprint on the late‑2000s underground scene remains documented in notable outlets and live footage from landmark shows.

Onstage company

Documented collaborators

Below you’ll find a concise biography, highlighted discography, and a historical tour snapshot to help you understand Satanicide’s impact in the metal landscape. If you’re looking to secure tickets to historic shows or catch a future appearance, we’ve got you covered with the latest verified information and accessibility details for venues on the Gold Coast Tickets network.

The live experience

What reaches the room

Biography: Satanicide emerged as a bold hybrid of death metal intensity and glam metal swagger, wrapped in a satirical, tongue‑in‑cheek presentation that echoed the 1980s Jersey/NYC club scene. The act gained notoriety for its high‑energy live shows, hair‑metal aesthetics, and a willingness to push boundaries through performance art and heavy riffs. The project contributed memorable moments to the era’s metal narrative, including a notable Cingular commercial appearance around 2005 and critical coverage from major outlets like The New York Times in 2003.

Onstage company

Documented collaborators

Discography Highlights: The discography is led by the 2003 release Heather (Enabler label), followed by the 1997 release Cradle the Balls (independent/unknown label). These works showcase a blend of aggressive guitar work, satirical lyricism, and a willingness to experiment with form and presentation while staying rooted in metal’s core energy.

Onstage company

Documented collaborators

Tour & Live History: Satanicide has historically performed in New York venues with signature shows at the Bowery Ballroom (headlining in 2005 and a notable 2007 appearance with Moby) and Mercury Lounge in 2005. While current 2025 tour dates aren’t publicly listed through major outlets, the band’s past performances are documented in venue histories and press coverage, reflecting their significance in the city’s metal scene. For fans, past setlists and archival footage can offer a glimpse into the band’s dynamic stage presence.

The essentials

Quick Facts About Satanicide

  • Genre/style: death metal and glam metal with a satirical, tongue‑in‑cheek 1980s Jersey/NYC aesthetic and big hair wigs.
  • Discography (most recent first): Heather (2003, label Enabler) and Cradle the Balls (1997, label unknown/independent).
  • Notable past activities: Cingular commercial appearance (circa 2005), coverage by The New York Times (2003), and headline/appearing acts at Bowery Ballroom and Mercury Lounge in the mid-2000s.
  • Social media presence: no clearly verified official Satanicide social accounts found; official site status appears intermittently accessible.

The records

Satanicide Discography

  • Heather
    2003 · Enabler
  • Cradle the Balls
    1997 · Unknown / Independent

Biography: Satanicide emerged as a bold hybrid of death metal intensity and glam metal swagger, wrapped in a satirical, tongue‑in‑cheek presentation that echoed the 1980s Jersey/NYC club scene. The act gained notoriety for its high‑energy live shows, hair‑metal aesthetics, and a willingness to push boundaries through performance art and heavy riffs. The project contributed memorable moments to the era’s metal narrative, including a notable Cingular commercial appearance around 2005 and critical coverage from major outlets like The New York Times in 2003.

Discography Highlights: The discography is led by the 2003 release Heather (Enabler label), followed by the 1997 release Cradle the Balls (independent/unknown label). These works showcase a blend of aggressive guitar work, satirical lyricism, and a willingness to experiment with form and presentation while staying rooted in metal’s core energy.

Tour & Live History: Satanicide has historically performed in New York venues with signature shows at the Bowery Ballroom (headlining in 2005 and a notable 2007 appearance with Moby) and Mercury Lounge in 2005. While current 2025 tour dates aren’t publicly listed through major outlets, the band’s past performances are documented in venue histories and press coverage, reflecting their significance in the city’s metal scene. For fans, past setlists and archival footage can offer a glimpse into the band’s dynamic stage presence.

Official presence and social links: While verified, consistently active social accounts aren’t clearly established, official site status has appeared intermittently. For the most accurate and up‑to‑date information, check venue pages and reputable music press references. If you’re seeking the latest announcements, we can guide you to official channels as they become available.

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